GOO
(2023-2024)
In the aftermath of the rigged elections in Belarus in 2020 and the ongoing war in Ukraine, I found my consumed by the news, particularly through the lens of pro-governmental media in Belarus and Russia. The ceaseless stream of hatred, disinformation, and falsehoods infiltrated his personal space, transforming my daily routine into a habit of relentless doomscrolling. Overwhelmed by the stark simplicity and brutality of propaganda methods, I discovered myself immersed in a viscous space of lies, political slogans, and manipulated visuals.
GOO stands as my visceral response to the world of propaganda and its profound impact on private life.
